Tuesday, July 23, 2019

Raymond Chandler - Farewell My Lovely

Image result for murder my sweet
Raymond Chandler's second book Farewell, My Lovely (1940)  featured the iconic private eye Philip Marlowe. For me the story rivals Chandler's first book The Big Sleep. My first contact with Farewell, My Lovely was as a teenager when I saw the Dick Powell movie version, Murder, My Sweet. I still enjoy that movie.

Some know that Chandler created Farewell, My Lovely, by piecing together three of his short stories: Try The Girl (1937), Mandarin's Jade (1937), and The Man Who Liked Dogs (1936). I have read these short stories and enjoy them very much. Mandarin's Jade is my favorite of the three because it is a good story with interesting characters: the psychic, his exotic secretary and the Indian, not to mention the femme fatale.
Image result for farewell my lovely raymond chandler
Not all the great lines from the novel are in the short story, but some of them are:

It was a blonde. A blonde to make a bishop kick a hole in a stained-glass window.

She gave me a smile I could feel in my hip pocket.

Her smile was older than Egypt now

Comparing Mandarin's Jade and Farewell, My Lovely is something like comparing a second draft to a finished draft. In Mandarin's Jade Chandler describes the psychic's eyes:

    His black eyes were as shallow as a cafeteria tray or as deep as a hole to China - whichever you like.

It's good, I like it. This is how Chandler describes his eyes in Farewell, My Lovely.

    His eyes were deep, far too deep. They were the depthless drugged eyes of a somnambulist. They were like a well I read about once. It was nine hundred years old, in an old castle. You could drop a stone in it and wait. You could listen and wait and give up waiting and laugh and then just when you were ready to turn away a faint, minute splash would come up back to you from the bottom of that well, so tiny, so remote you could hardly believe a well like that was possible.
    His eyes were deep like that. And they were also eyes without expression, without soul, eyes that could watch a lion tear a man to pieces and never change, that could watch a man impaled and screaming in the hot sun with his eyelids cut off.

Image result for mandarin's jade raymond chandlerWOW!

Some might think; read the novel, it's better than the short stories. On one hand they would be right, but on the other hand there are some scenes in the short stories that did not make it into the novel. It would be a shame to miss them.

Here is a description of a bar the detective Dalmas is about to enter moments before a shootout.

    I could see the Hotel Tremaine's sign over the narrow door between two storefronts, both empty -- an old two-storey walkup. Its woodwork would smell of kerosene, its shades would be cracked, its curtains would be of sleazy cotton lace and its bed-springs would stick into your back. I knew all about places like the Hotel Tremaine, I slept in them, staked out in them, fought with bitter, scrawny landladies in them, got shot at in them, and might get carried out of one of them to the morgue wagon. They are flops where you find the cheap ones, the sniffers and pin-jabbers, the gowed-up runts who shoot you before you can say hello.

The great thing about short stories is they only have so much space to tell a story. The writing is nice and tight. One thing I did notice in Farewell, My Lovely, (and in The Big Sleep) is that some scenes appear to be fillers, and repeat information.

Even if you are not a big Chandler fan, the short stories are worth reading as well as the novel. The short stories do not end exactly the same as the novel. So whether you read the novel or short story, if it's Raymond Chandler, you can't lose.

Stephen Gaspar's books can be found on Amazon! Click here!




Wednesday, July 3, 2019

The Three Weird Sisters

In last week's blog I posted an old article about the three witches from Macbeth. In my new historical detective novel, Give Me The Daggers, the three weird sisters also play an integral role, and as in Shakespeare's play, the witches appear first. Here is prologue from Give Me The Daggers.







Prologue

THE WIND BLEW with monstrous might and main out of the north and across the moor. An unstoppable primitive force, it seemed to derive its power from neither heaven nor hell, but some deep, dark recess not kin to this world. No mountain range or forest stood in its path, so unabated it rolled on. The wind increased in speed and ferocity, as was the awful noise it made, as if the suffering world had found a voice and screamed out in agony. Had there been a human being in this remote and desolate land to hear it, they would have been driven mad by the hideous sound.
     A flash of blue lightning was followed by a sharp crack of thunder. The sound reverberated across the Moorland drowning out the wind. The thunder had a solidity that tossed tree branches about and even seemed to move small rocks. The angry heavens flashed again. A lightning bolt fell to earth as if thrown by some ancient god, and struck a tree. It was not a large tree, but rather sick and feeble-looking one. A branch dropped to the ground and the spot where the lightning hit caught fire. The wind soon put out the flame, and rain started to fall.
    A female creature stood amidst the storm and laughed to see such things. She did not fear the elements as other mortals. She welcomed them. Standing in the middle of the moor, her arms outstretched, she beckoned to the wind and rain, the thunder and lightning. She felt akin to the elemental forces as they raged about her. Her body tingled as she felt a mingling with powers not understood or suspected by most human beings.
    Her features were androgynous and some may have even assumed she was a man. Her face was anything but feminine; indeed, she was quite repulsive. Bad teeth and a
tuft of hair on her chin made her even more abhorrent. She
carried a coarse-cloth sack. From inside the sack a small creature squirmed, making pathetic whimpering sounds.
    Another woman joined the first. Though she appeared younger, the second female looked similar to the first, dressed in rags and cast-off clothes. Her face was dirty and her thin lips chapped and cracked. The fingers on her hands, not the usual ten, were long and bony.
    A third woman joined the other two. This one was older. Her right eye contained no color, making her unique appearance even more pronounced.
    An aberrant bond existed between the three. It was a bond rooted in more than their history, or their background or blood. These three were tied to one another beyond any human ties. The powers of any one of them were enhanced by the other two. The number three was a special number in holy mysticism; the Holy Trinity, the three magi, and Peter‘s three denials. The number three held power in the unholy black arts as well.
    Though female in nature, they were not exactly women. They had transcended their sex and their humanity, if they were ever human. Their human features were not exactly their own. They did possess female qualities, as much as nature could create gender, but their spirits, their essence  was beyond the scope of human understanding, even beyond the scope of nature, for they were not of nature. There was something very unnatural about them.     
    The women stood close and faced one another. The first woman opened her sack and withdrew a rather small but remarkable-looking creature. It was a sickly-white and completely hairless. Unnatural oils allowed the rain to roll off its slimy skin. The creature was small like a child. Indeed it did have a head and limbs, but the digits that grew from its limbs were more like claws. Anyone would have difficulty guessing the nature of this grotesque. It may  have  been  part  human, part animal, part snake, and
perhaps part demon. The coupling required to produce such a creature was both revolting and mind-boggling.
    The first woman held out the creature in front of her and began the incantation.
    “Fair is foul and foul is fair: hover though the fog and filthy air.”
    The young woman put her hand around the throat of the small creature. She began to strangle it as she joined in the incantation.
    “Fair is foul and foul is fair: hover through the fog and filthy air.”
    The oldest woman brought out a knife and sliced the creature open as she said, “Fair is foul and foul is fair: hover through the fog and filthy air.”
    As the blood ran freely from the gaping wound, the woman holding the creature moved it back and forth and around and around creating an archaic symbol with its blood upon the ground.
    When she finished, the first woman tossed the lifeless carcass behind her.
    The three took turns spitting, urinating and defecating upon the blood-stained ground.
    “When shall we three meet again?” the first woman said. “In thunder, lightning or in rain?”
    “When the hurly-burly’s done,” the second woman said. “When the battle’s lost and won.”
    “That will be ere the set of sun,” the third said.
    The first asked, “Where’s the place?”
    Answered the other two, “Upon the heath.”
    “There to meet with…”
    “MACBETH!” they cried out in unison

    “Aggghhhhh!”
    Gruoch, wife of Macbeth mac Finlay, looked up at her husband  as  the  cry  escaped his lips. His face went ashen
and  the  look  of  terror  dawned  on  his  face.  She  felt his

member inside her shrink up and lose its hardness.
    “What is it?” she demanded.
    His limbs stiffened and sweat broke out all over his body. Macbeth, Thane of Glamis, rolled off his wife and lay on his back in his bed.
    “What is it?” Gruoch repeated, sitting up and placing her palm against his bearded cheek. “What is wrong?”
    He stared up at the ceiling of their bedchamber and rubbed his chest. He was trembling.
    Gruoch got out of bed and poured a cup of wine that was on a nearby table. She brought it over to husband, who continued to breathe deeply.
    “Drink this,” she ordered.
    He sat up and drank the wine.
    She took the cup from him and had him lay back down. She sat next to him stroking his brow and speaking soothingly.
    “There, there, now,” she said. “Just relax. More wine? No? Do you feel better? Good. What was it that startled you so?”
    Macbeth lay there, still staring up at the ceiling. He shook his head, as if not knowing how to describe it.
    “I feel as if… it felt like… someone had… I felt an icy grip… upon my soul, by Saint Columba, I did,” he said. “I thought I had… witnessed my own death… saw my own grave, and... glimpsed hell itself.”
    She looked at him concerned. In the years she had known him, Macbeth had never experienced a nightmare in his sleep, let alone having one while they were making love.
    Gruoch bent over and kissed his lips gently.
    Macbeth, Lord of Moray, tried to slow his heart rate and breathe normal. He raised his right hand in front of his eyes and it shook noticeably. He looked up into her eyes.
They were beautiful. Never had he seen such eyes. Never had he been so completely in love with a woman.
    The unexplainable episode was troubling to him. Never
had   he   experienced    anything    such    as   that   before.   It more than troubled Macbeth… it frightened him. He would have to find the courage to go on. But where would he find such courage? Macbeth knew. He would find the courage in her eyes. She had more than her share of strength, he thought. He had always known it. She would kill for him. And he would kill for her.


Give Me The Daggers by Stephen Gaspar 
                is available on Amazon!